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noncommutative F_un geometry (2)

Last time we tried to generalize the Connes-Consani approach to commutative algebraic geometry over the field with one element $\mathbb{F}_1 $ to the noncommutative world by considering covariant functors

$N~:~\mathbf{groups} \rightarrow \mathbf{sets} $

which over $\mathbb{C} $ resp. $\mathbb{Z} $ become visible by a complex (resp. integral) algebra having suitable universal properties.

However, we didn’t specify what we meant by a complex noncommutative variety (resp. an integral noncommutative scheme). In particular, we claimed that the $\mathbb{F}_1 $-‘points’ associated to the functor

$D~:~\mathbf{groups} \rightarrow \mathbf{sets} \qquad G \mapsto G_2 \times G_3 $ (here $G_n $ denotes all elements of order $n $ of $G $)

were precisely the modular dessins d’enfants of Grothendieck, but didn’t give details. We’ll try to do this now.

For algebras over a field we follow the definition, due to Kontsevich and Soibelman, of so called “noncommutative thin schemes”. Actually, the thinness-condition is implicit in both Soule’s-approach as that of Connes and Consani : we do not consider R-points in general, but only those of rings R which are finite and flat over our basering (or field).

So, what is a noncommutative thin scheme anyway? Well, its a covariant functor (commuting with finite projective limits)

$\mathbb{X}~:~\mathbf{Alg}^{fd}_k \rightarrow \mathbf{sets} $

from finite-dimensional (possibly noncommutative) $k $-algebras to sets. Now, the usual dual-space operator gives an anti-equivalence of categories

$\mathbf{Alg}^{fd}_k \leftrightarrow \mathbf{Coalg}^{fd}_k \qquad A=C^* \leftrightarrow C=A^* $

so a thin scheme can also be viewed as a contra-variant functor (commuting with finite direct limits)

$\mathbb{X}~:~\mathbf{Coalg}^{fd}_k \rightarrow \mathbf{Sets} $

In particular, we are interested to associated to any {tex]k $-algebra $A $ its representation functor :

$\mathbf{rep}(A)~:~\mathbf{Coalg}^{fd}_k \rightarrow \mathbf{Sets} \qquad C \mapsto Alg_k(A,C^*) $

This may look strange at first sight, but $C^* $ is a finite dimensional algebra and any $n $-dimensional representation of $A $ is an algebra map $A \rightarrow M_n(k) $ and we take $C $ to be the dual coalgebra of this image.

Kontsevich and Soibelman proved that every noncommutative thin scheme $\mathbb{X} $ is representable by a $k $-coalgebra. That is, there exists a unique coalgebra $C_{\mathbb{X}} $ (which they call the coalgebra of ‘distributions’ of $\mathbb{X} $) such that for every finite dimensional $k $-algebra $B $ we have

$\mathbb{X}(B) = Coalg_k(B^*,C_{\mathbb{X}}) $

In the case of interest to us, that is for the functor $\mathbf{rep}(A) $ the coalgebra of distributions is Kostant’s dual coalgebra $A^o $. This is the not the full linear dual of $A $ but contains only those linear functionals on $A $ which factor through a finite dimensional quotient.

So? You’ve exchanged an algebra $A $ for some coalgebra $A^o $, but where’s the geometry in all this? Well, let’s look at the commutative case. Suppose $A= \mathbb{C}[X] $ is the coordinate ring of a smooth affine variety $X $, then its dual coalgebra looks like

$\mathbb{C}[X]^o = \oplus_{x \in X} U(T_x(X)) $

the direct sum of all universal (co)algebras of tangent spaces at points $x \in X $. But how do we get the variety out of this? Well, any coalgebra has a coradical (being the sun of all simple subcoalgebras) and in the case just mentioned we have

$corad(\mathbb{C}[X]^o) = \oplus_{x \in X} \mathbb{C} e_x $

so every point corresponds to a unique simple component of the coradical. In the general case, the coradical of the dual coalgebra $A^o $ is the direct sum of all simple finite dimensional representations of $A $. That is, the direct summands of the coalgebra give us a noncommutative variety whose points are the simple representations, and the remainder of the coalgebra of distributions accounts for infinitesimal information on these points (as do the tangent spaces in the commutative case).

In fact, it was a surprise to me that one can describe the dual coalgebra quite explicitly, and that $A_{\infty} $-structures make their appearance quite naturally. See this paper if you’re in for the details on this.

That settles the problem of what we mean by the noncommutative variety associated to a complex algebra. But what about the integral case? In the above, we used extensively the theory of Kostant-duality which works only for algebras over fields…

Well, not quite. In the case of $\mathbb{Z} $ (or more general, of Dedekind domains) one can repeat Kostant’s proof word for word provided one takes as the definition of the dual $\mathbb{Z} $-coalgebra
of an algebra (which is $\mathbb{Z} $-torsion free)

$A^o = { f~:~A \rightarrow \mathbb{Z}~:~A/Ker(f)~\text{is finitely generated and torsion free}~} $

(over general rings there may be also variants of this duality, as in Street’s book an Quantum groups). Probably lots of people have come up with this, but the only explicit reference I have is to the first paper I’ve ever written. So, also for algebras over $\mathbb{Z} $ we can define a suitable noncommutative integral scheme (the coradical approach accounts only for the maximal ideals rather than all primes, but somehow this is implicit in all approaches as we consider only thin schemes).

Fine! So, we can make sense of the noncommutative geometrical objects corresponding to the group-algebras $\mathbb{C} \Gamma $ and $\mathbb{Z} \Gamma $ where $\Gamma = PSL_2(\mathbb{Z}) $ is the modular group (the algebras corresponding to the $G \mapsto G_2 \times G_3 $-functor). But, what might be the points of the noncommutative scheme corresponding to $\mathbb{F}_1 \Gamma $???

Well, let’s continue the path cut out before. “Points” should correspond to finite dimensional “simple representations”. Hence, what are the finite dimensional simple $\mathbb{F}_1 $-representations of $\Gamma $? (Or, for that matter, of any group $G $)

Here we come back to Javier’s post on this : a finite dimensional $\mathbb{F}_1 $-vectorspace is a finite set. A $\Gamma $-representation on this set (of n-elements) is a group-morphism

$\Gamma \rightarrow GL_n(\mathbb{F}_1) = S_n $

hence it gives a permutation representation of $\Gamma $ on this set. But then, if finite dimensional $\mathbb{F}_1 $-representations of $\Gamma $ are the finite permutation representations, then the simple ones are the transitive permutation representations. That is, the points of the noncommutative scheme corresponding to $\mathbb{F}_1 \Gamma $ are the conjugacy classes of subgroups $H \subset \Gamma $ such that $\Gamma/H $ is finite. But these are exactly the modular dessins d’enfants introduced by Grothendieck as I explained a while back elsewhere (see for example this post and others in the same series).

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Monstrous frustrations

Thanks for clicking through… I guess.

If nothing else, it shows that just as much as the stock market is fueled by greed, mathematical reasearch is driven by frustration (or the pleasure gained from knowing others to be frustrated).

I did spend the better part of the day doing a lengthy, if not laborious, calculation, I’ve been postponing for several years now. Partly, because I didn’t know how to start performing it (though the basic strategy was clear), partly, because I knew beforehand the final answer would probably offer me no further insight.

Still, it gives the final answer to a problem that may be of interest to anyone vaguely interested in Moonshine :

What does the Monster see of the modular group?

I know at least two of you, occasionally reading this blog, understand what I was trying to do and may now wonder how to repeat the straightforward calculation. Well the simple answer is : Google for the number 97239461142009186000 and, no doubt, you will be able to do the computation overnight.

One word of advice : don’t! Get some sleep instead, or make love to your partner, because all you’ll get is a quiver on nine vertices (which is pretty good for the Monster) but having an horrible amount of loops and arrows…

If someone wants the details on all of this, just ask. But, if you really want to get me exited : find a moonshine reason for one of the following two numbers :

$791616381395932409265430144165764500492= 2^2 * 11 * 293 * 61403690769153925633371869699485301 $

(the dimension of the monster-singularity upto smooth equivalence), or,

$1575918800531316887592467826675348205163= 523 * 1655089391 * 15982020053213 * 113914503502907 $

(the dimension of the moduli space).

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Dedekind or Klein ?

The black&white psychedelic picture on the left of a tessellation of the hyperbolic upper-halfplane, was called the Dedekind tessellation in this post, following the reference given by John Stillwell in his excellent paper Modular Miracles, The American Mathematical Monthly, 108 (2001) 70-76.

But is this correct terminology? Nobody else uses it apparently. So, let’s try to track down the earliest depiction of this tessellation in the literature…

Stillwell refers to Richard Dedekind‘s 1877 paper “Schreiben an Herrn Borchard uber die Theorie der elliptische Modulfunktionen”, which appeared beginning of september 1877 in Crelle’s journal (Journal fur die reine und angewandte Mathematik, Bd. 83, 265-292).

There are a few odd things about this paper. To start, it really is the transcript of a (lengthy) letter to Herrn Borchardt (at first, I misread the recipient as Herrn Borcherds which would be really weird…), written on June 12th 1877, just 2 and a half months before it appeared… Even today in the age of camera-ready-copy it would probably take longer.

There isn’t a single figure in the paper, but, it is almost impossible to follow Dedekind’s arguments without having a mental image of the tessellation. He gives a fundamental domain for the action of the modular group $\Gamma = PSL_2(\mathbb{Z}) $ on the hyperbolic upper-half plane (a fact already known to Gauss) and goes on in section 3 to give a one-to-one mapping between this domain and the complex plane using what he calls the ‘valenz’ function $v $ (which is our modular function $j $, making an appearance in moonshine, and responsible for the black&white tessellation, the two colours corresponding to pre-images of the upper or lower half-planes).

Then there is this remarkable opening sentence.

Sie haben mich aufgefordert, eine etwas ausfuhrlichere Darstellung der Untersuchungen auszuarbeiten, von welchen ich, durch das Erscheinen der Abhandlung von Fuchs veranlasst, mir neulich erlaubt habe Ihnen eine kurze Ubersicht mitzuteilen; indem ich Ihrer Einladung hiermit Folge leiste, beschranke ich mich im wesentlichen auf den Teil dieser Untersuchungen, welcher mit der eben genannten Abhandlung zusammenhangt, und ich bitte Sie auch, die Ubergehung einiger Nebenpunkte entschuldigen zu wollen, da es mir im Augenblick an Zeit fehlt, alle Einzelheiten auszufuhren.

Well, just try to get a paper (let alone a letter) accepted by Crelle’s Journal with an opening line like : “I’ll restrict to just a few of the things I know, and even then, I cannot be bothered to fill in details as I don’t have the time to do so right now!” But somehow, Dedekind got away with it.

So, who was this guy Borchardt? How could this paper be published so swiftly? And, what might explain this extreme ‘je m’en fous’-opening ?

Carl Borchardt was a Berlin mathematician whose main claim to fame seems to be that he succeeded Crelle in 1856 as main editor of the ‘Journal fur reine und…’ until 1880 (so in 1877 he was still in charge, explaining the swift publication). It seems that during this time the ‘Journal’ was often referred to as “Borchardt’s Journal” or in France as “Journal de M Borchardt”. After Borchardt’s death, the Journal für die Reine und Angewandte Mathematik again became known as Crelle’s Journal.

As to the opening sentence, I have a toy-theory of what was going on. In 1877 a bitter dispute was raging between Kronecker (an editor for the Journal and an important one as he was the one succeeding Borchardt when he died in 1880) and Cantor. Cantor had published most of his papers at Crelle and submitted his latest find : there is a one-to-one correspondence between points in the unit interval [0,1] and points of d-dimensional space! Kronecker did everything in his power to stop that paper to the extend that Cantor wanted to retract it and submit it elsewhere. Dedekind supported Cantor and convinced him not to retract the paper and used his influence to have the paper published in Crelle in 1878. Cantor greatly resented Kronecker’s opposition to his work and never submitted any further papers to Crelle’s Journal.

Clearly, Borchardt was involved in the dispute and it is plausible that he ‘invited’ Dedekind to submit a paper on his old results in the process. As a further peace offering, Dedekind included a few ‘nice’ words for Kronecker

Bei meiner Versuchen, tiefer in diese mir unentbehrliche Theorie einzudringen und mir einen einfachen Weg zu den ausgezeichnet schonen Resultaten von Kronecker zu bahnen, die leider noch immer so schwer zuganglich sind, enkannte ich sogleich…

Probably, Dedekind was referring to Kronecker’s relation between class groups of quadratic imaginary fields and the j-function, see the miracle of 163. As an added bonus, Dedekind was elected to the Berlin academy in 1880…

Anyhow, no visible sign of ‘Dedekind’s’ tessellation in the 1877 Dedekind paper, so, we have to look further. I’m fairly certain to have found the earliest depiction of the black&white tessellation (if you have better info, please drop a line). Here it is

It is figure 7 in Felix Klein‘s paper “Uber die Transformation der elliptischen Funktionen und die Auflosung der Gleichungen funften Grades” which appeared in may 1878 in the Mathematische Annalen (Bd. 14 1878/79). He even adds the j-values which make it clear why black triangles should be oriented counter-clockwise and white triangles clockwise. If Klein would still be around today, I’m certain he’d be a metapost-guru.

So, perhaps the tessellation should be called Klein’s tessellation??
Well, not quite. Here’s what Klein writes wrt. figure 7

Diese Figur nun – welche die eigentliche Grundlage fur das Nachfolgende abgibt – ist eben diejenige, von der Dedekind bei seiner Darstellung ausgeht. Er kommt zu ihr durch rein arithmetische Betrachtung.

Case closed : Klein clearly acknowledges that Dedekind did have this picture in mind when writing his 1877 paper!

But then, there are a few odd things about Klein’s paper too, and, I do have a toy-theory about this as well… (tbc)

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