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Manin’s three-space-2000

Almost three decades ago, Yuri Manin submitted the paper “New dimensions in geometry” to the 25th Arbeitstagung, Bonn 1984. It is published in its proceedings, Springer Lecture Notes in Mathematics 1111, 59-101 and there’s a review of the paper available online in the Bulletin of the AMS written by Daniel Burns.

In the introduction Manin makes some highly speculative but inspiring conjectures. He considers the ring

$$\mathbb{Z}[x_1,\ldots,x_m;\xi_1,\ldots,\xi_n]$$

where $\mathbb{Z}$ are the integers, the $\xi_i$ are the “odd” variables anti-commuting among themselves and commuting with the “even” variables $x_j$. To this ring, Manin wants to associate a geometric object of dimension $1+m+n$ where $1$ refers to the “arithmetic dimension”, $m$ to the ordinary geometric dimensions $(x_1,\ldots,x_m)$ and $n$ to the new “odd dimensions” represented by the coordinates $(\xi_1,\ldots,\xi_n)$. Manin writes :

“Before the advent of ringed spaces in the fifties it would have been difficult to say precisely what me mean when we speak about this geometric object. Nowadays we simply define it as an “affine superscheme”, an object of the category of topological spaces locally ringed by a sheaf of $\mathbb{Z}_2$-graded supercommutative rings.”

Here’s my own image (based on Mumford’s depiction of $\mathsf{Spec}(\mathbb{Z}[x])$) of what Manin calls the three-space-2000, whose plain $x$-axis is supplemented by the set of primes and by the “black arrow”, corresponding to the odd dimension.

Manin speculates : “The message of the picture is intended to be the following metaphysics underlying certain recent developments in geometry: all three types of geometric dimensions are on an equal footing”.

Probably, by the addition “2000” Manin meant that by the year 2000 we would as easily switch between these three types of dimensions as we were able to draw arithmetic schemes in the mid-80ties. Quod non.

Twelve years into the new millenium we are only able to decode fragments of this. We know that symmetric algebras and exterior algebras (that is the “even” versus the “odd” dimensions) are related by Koszul duality, and that the precise relationship between the arithmetic axis and the geometric axis is the holy grail of geometry over the field with one element.

For aficionados of $\mathbb{F}_1$ there’s this gem by Manin to contemplate :

“Does there exist a group, mixing the arithmetic dimension with the (even) geometric ones?”

Way back in 1984 Manin conjectured : “There is no such group naively, but a ‘category of representations of this group’ may well exist. There may exist also certain correspondence rings (or their representations) between $\mathsf{Spec}(\mathbb{Z})$ and $x$.”

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Monsters and Moonshine : a booklet

I’ve LaTeXed $48=2 \times 24$ posts into a 114 page booklet Monsters and Moonshine for you to download.

The $24$ ‘Monsters’ posts are (mostly) about finite simple (sporadic) groups : we start with the Scottish solids (hoax?), move on to the 14-15 game groupoid and a new Conway $M_{13}$-sliding game which uses the sporadic Mathieu group $M_{12}$. This Mathieu group appears in musical compositions of Olivier Messiaen and it can be used also to get a winning strategy of ‘mathematical blackjack’. We discuss Galois’ last letter and the simple groups $L_2(5),L_2(7)$ and $L_2(11)$ as well as other Arnold ‘trinities’. We relate these groups to the Klein quartic and the newly discovered ‘buckyball’-curve. Next we investigate the history of the Leech lattice and link to online games based on the Mathieu-groups and Conway’s dotto group. Finally, preparing for moonshine, we discover what the largest sporadic simple group, the Monster-group, sees of the modular group.

The $24$ ‘Moonshine’ posts begin with the history of the Dedekind (or Klein?) tessellation of the upper half plane, useful to determine fundamental domains of subgroups of the modular group $PSL_2(\mathbb{Z})$. We investigate Grothendieck’s theory of ‘dessins d’enfants’ and learn how modular quilts classify the finite index subgroups of the modular group. We find generators of such groups using Farey codes and use those to give a series of simple groups including as special members $L_2(5)$ and the Mathieu-sporadics $M_{12}$ and $M_{24}$ : the ‘iguanodon’-groups. Then we move to McKay-Thompson series and an Easter-day joke pulled by John McKay. Apart from the ‘usual’ monstrous moonshine conjectures (proved by Borcherds) John McKay also observed a strange appearance of $E(8)$ in connection with multiplications of involutions in the Monster-group. We explain Conway’s ‘big picture’ which makes it easy to work with the moonshine groups and use it to describe John Duncan’s solution of the $E(8)$-observation.

I’ll try to improve the internal referencing over the coming weeks/months, include an index and add extra material as we will be studying moonshine for the Mathieu groups as well as a construction of the Monster-group in next semester’s master-seminar. All comments, corrections and suggestions for extra posts are welcome!

If you are interested you can also download two other booklets : The Bourbaki Code (38 pages) containing all Bourbaki-related posts and absolute geometry (63 pages) containing the posts related to the “field with one element” and its connections to (noncommutative) geometry and number theory.



I’ll try to add to the ‘absolute geometry’-booklet the posts from last semester’s master-seminar (which were originally posted at angs@t/angs+) and write some new posts covering the material that so far only exists as prep-notes. The links above will always link to the latest versions of these booklets.

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The martial art of giving talks

Last fall, Matilde Marcolli gave a course at CalTech entitled Oral Presentation: The (Martial) Art of Giving Talks. The purpose of this course was to teach students “how to effectively communicate their work in seminars and conferences and how to defend it from criticism from the audience”.

The lecture notes contain basic information on the different types of talks and how to prepare them. But they really shine when it comes to spotting the badasses in the public and how to respond to their interference. She identifies 5 badsass-types : the empreror and the hierophant (see below), the chariot (the one with a literal mind, asking continuously for details), the fool (the one who happens to sit in the talk but doesn’t belong there) and the magician (the quick smartass).

I’ll just quote here the description of, and most effective strategy against, the first two badass-types. Please have a look at the whole paper, it is a good read!

“The Emperor is the typical figure of power and authority in a given field. It refers to those people who have a tendency to think that the whole field is their own private property, and in particular that only what they do in the field is important, that the work of all others is derivative and that in any case they are not being quoted enough. These are typically pathological narcissists, so one needs to take this into account in interacting with them.
The trouble of having The Emperor in your audience is that he (it is rarely she) can very easily disrupt your presentation completely, by continuous interruptions, by running his own commentary while you are trying to stay focused on delivering your talk and by distracting the rest of the audience.
The Emperor is by far one of the most dangerous encounters you can make in the wilderness of the conference rooms.”

Counter-measure : “Keep in mind that the Emperor is a pathological narcissist: part of the reason why he keeps interrupting your talk is because he cannot stand the fact that, during those fifty minutes, the attention of the audience is focused on you and not on him. His continuous interruptions and complaints are a way to try to divert the attention of the audience back to him and away from you. That your talk gets disrupted in the process, he could not care the less.
A good way to try to avoid the worst case scenario is to make sure (if you know in advance you may be having the Emperor in the audience) that you arrange in your talk to make frequent references to him and his work. In this way, he will hopefully feel that his need to be at the center of attention is sufficiently satisfied that he can let you continue with your talk. Effectiveness: high.”

“The Hierophant represents a priestly figure. What this refers to here is the type of character who feels entitled to represent (and defend) a certain “orthodoxy”, a certain school of thought, or a certain group of people within the field.
Typically the hierophants are the minions and lackeys of the Emperor, his entourage and fan club, those who think that the Emperor represents the only and true orthodoxy in the field and that anything that is done in a different way should be opposed and suppressed.
These characters are generally less disruptive than the Emperor himself, as they are really only fighting you on someone else’s behalf. Nonetheless, they can sometime manage to seriously disrupt your presentation.”

Counter-measure : “This is essentially the same advise as in the case of the Emperor. To an objection that substantially is of the form: “This is not the right way to do things because this is not what what we do (= what the Emperor does)”, which is what you expect to hear from the Hierophant, you can reply along lines such as: “There is also another approach to this problem, developed by the Emperor and his school, which is a very interesting approach that gave nice and important results. However, this is not what I am talking about today: I am talking here about a different approach, and I will be focusing only on the specific features of this other approach…”
Something along these lines would recognize “their” work without having to make any concession on their approach being the only game in town.
Effectiveness: high (unless the Emperor is also present and is delegating to his hierophants the task of attacking you: in that case they won’t give up so easily and the effectiveness of this line of defense becomes medium/low).”

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