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Bourbaki, Brassens, Hula Hoops and Coconuts

More than ten years ago, when I ran a series of posts on pre-WW2 Bourbaki congresses, I knew most of the existing B-literature. I’m afraid I forgot most of it, thereby missing opportunities to spice up a dull post (such as yesterday’s).

Right now, I need facts about the infamous ACNB and its former connection to Nancy, so I reread Liliane Beaulieu’s Bourbaki a Nancy:

(page 38) : “Like a theatrical canvas, “La Tribu” often carries as its header a subtitle, the product of its editor’s imagination, which brings out the theme of the congress, if necessary. There is thus a “De Nicolaıdes” congress in Nancy, “Du banc public” (reference to Brassens) that of the “Universites cogerees” (in October 68, at the time of co-management).”

The first La Ciotat congress (February 27 to March 6, 1955) was called ‘the congress of the public bench’ (‘banc public’ in French) where Serre and Cartan tried to press Bourbaki to opt for the by now standard approach to varieties (see yesterday), and the following Chicago-congress retaliated by saying that there were also public benches nearby, but of little use.

What I missed was the reference to French singer-songwriter George Brassens. In 1953, he wrote, composed and performed Bancs Public (later called ‘Les Amoureux des bancs publics’).

If you need further evidence (me, I’ll take Liliane’s word on anything B-related), here’s the refrain of the song:

“Les amoureux qui s’bécotent sur les bancs publics,
Bancs publics, bancs publics,
En s’foutant pas mal du regard oblique
Des passants honnêtes,
Les amoureux qui s’bécotent sur les bancs publics,
Bancs publics, bancs publics,
En s’disant des “Je t’aime'” pathétiques,
Ont des p’tits gueules bien sympathiques!

(G-translated as:
‘Lovers who smooch on public benches,
Public benches, public benches,
By not giving a damn about the sideways gaze
Honest passers-by,
The lovers who smooch on the public benches,
Public benches, public benches,
Saying pathetic “I love you” to each other,
Have very nice little faces!‘)

Compare this to page 3 of the corresponding “La Tribu”:

“Geometrie Algebrique : elle a une guele bien sympathique.”

(Algebraic Geometry : she has a very nice face)

More Bourbaki congresses got their names rather timely.

In the summer of 1959 (from June 25th – July 8th) there was a congress in Pelvout-le-Poet called ‘Congres du cerceau’.

‘Cerceau’ is French for Hula Hoop, whose new plastic version was popularized in 1958 by the Wham-O toy company and became a fad.


(Girl twirling Hula Hoop in 1958 – Wikipedia)

The next summer it was the thing to carry along for children on vacation. From the corresponding “La Tribu” (page 2):

“Le congres fut marque par la presence de nombreux enfants. Les distractions s’en ressentirent : baby-foot, biberon de l’adjudant (tres concurrence par le pastis), jeu de binette et du cerceau (ou faut-il dire ‘binette se jouant du cerceau’?) ; un bal mythique a Vallouise faillit faire passer la mesure.”
(try to G-translate it yourself…)

Here’s another example.

The spring 1949 congress (from April 13th-25th) was held at the Abbey of Royaumont and was called ‘le congres du cocotier’ (the coconut-tree congress).

From the corresponding “La Tribu 18”:

“Having absorbed a tough guinea pig, Bourbaki climbed to the top of the Royaumont coconut tree, and declared, to unanimous applause, that he would only rectify rectifiable curves, that he would treat rational mechanics over the field $\mathbb{Q}$, and, that with a little bit of vaseline and a lot of patience he would end up writing the book on algebraic topology.”

The guinea pig that congress was none other than Jean-Pierre Serre.

A year later (from April 5th-17th 1950) there was another Royaumont-congress called ‘le congres de la revanche du cocotier’ (the congress of the revenge of the coconut-tree).

From the corresponding La Tribu 22:

“The founding members had decided to take a dazzling revenge on the indiscipline young people; mobilising all the magical secrets unveiled to them by the master, they struck down the young people with various ailments; rare were those strong enough to jump over the streams of Royaumont.”

Here’s what Maurice Mashaal says about this in ‘Bourbaki – a secret society of mathematicians’ (page 113):

“Another prank among the members was called ‘le cocotier’ (the coconut tree). According to Liliane Beaulieu, this was inspired by a Polynesian custom where an old man climbs a palm tree and holds on tightly while someone shakes the trunk. If he manages to hold on, he remains accepted in the social group. Bourbaki translated this custom as the following: some members would set a mathematical trap for the others. If someone fell for it, they would yell out ‘cocotier’.”

May I be so bold as to suggest that perhaps this sudden interest in Polynesian habits was inspired by the recent release of L’ile aux cocotiers (1949), the French translation of Robert Gibbing’s book Coconut Island?

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From Weil’s foundations to schemes

Last time, we’ve seen that the first time ‘schemes’ were introduced was in ‘La Tribu’ (the internal Bourbaki-account of their congresses) of the May-June 1955 congress in Chicago.

Here, we will focus on the events leading up to that event. If you always thought Grothendieck invented the word ‘schemes’, here’s what Colin McLarty wrote:

“A story says that in a Paris café around 1955 Grothendieck asked his friends “what is a scheme?”. At the time only an undefined idea of “schéma” was current in Paris, meaning more or less whatever would improve on Weil’s foundations.” (McLarty in The Rising Sea)

What were Weil’s foundations of algebraic geometry?

Well, let’s see how Weil defined an affine variety over a field $k$. First you consider a ‘universal field’ $K$ containing $k$, that is, $K$ is an algebraically closed field of infinite transcendence degree over $k$. A point of $n$-dimensional affine space is an $n$-tuple $x=(x_1,\dots,x_n) \in K^n$. For such a point $x$ you consider the field $k(x)$ which is the subfield of $K$ generated by $k$ and the coordinates $x_i$ of $x$.

Alternatively, the field $k(x)$ is the field of fractions of the affine domain $R=k[z_1,\dots,z_n]/I$ where $I$ is the prime ideal of all polynomials $f \in k[z_1,\dots,z_n]$ such that $f(x) = f(x_1,\dots,x_n)=0$.

An affine $k$-variety $V$ is associated to a ‘generic point’ $x=(x_1,\dots,x_n)$, meaning that the field $k(x)$ is a ‘regular extension’ of $k$ (that is, for all field-extensions $k’$ of $k$, the tensor product $k(x) \otimes_k k’$ does not contain zero-divisors.

The points of $V$ are the ‘specialisations’ of $x$, that is, all points $y=(y_1,\dots,y_n)$ such that $f(y_1,\dots,y_n)=0$ for all $f \in I$.

Perhaps an example? Let $k = \mathbb{Q}$ and $K=\mathbb{C}$ and take $x=(i,\pi)$ in the affine plane $\mathbb{C}^2$. What is the corresponding prime ideal $I$ of $\mathbb{Q}[z_1,z_2]$? Well, $i$ is a solution to $z_1^2+1=0$ whereas $\pi$ is transcendental over $\mathbb{Q}$, so $I=(z_1^2+1)$ and $R=\mathbb{Q}[z_1,z_2]/I= \mathbb{Q}(i)[z_2]$.

Is $x=(i,\pi)$ a generic point? Well, suppose it were, then the points of the corresponding affine variety $V$ would be all couples $(\pm i, \lambda)$ with $\lambda \in \mathbb{C}$ which is the union of two lines in $\mathbb{C}^2$. But then $i \otimes 1 + 1 \otimes i$ is a zero-divisor in $\mathbb{Q}(x) \otimes_{\mathbb{Q}} \mathbb{Q}(i)$. So no, it is not a generic point over $\mathbb{Q}$ and does not define an affine $\mathbb{Q}$-variety.

If we would have started with $k=\mathbb{Q}(i)$, then $x=(i,\pi)$ is generic and the corresponding affine variety $V$ consists of all points $(i,\lambda) \in \mathbb{C}^2$.

If this is new to you, consider yourself lucky to be young enough to have learned AG from Fulton’s Algebraic curves, or Hartshorne’s chapter 1 if you were that ambitious.

By 1955, Serre had written his FAC, and Bourbaki had developed enough commutative algebra to turn His attention to algebraic geometry.

La Ciotat congress (February 27th – March 6th, 1955)

With a splendid view on the mediterranean, a small group of Bourbaki members (Henri Cartan (then 51), with two of his former Ph.D. students: Jean-Louis Koszul (then 34), and Jean-Pierre Serre (then 29, and fresh Fields medaillist), Jacques Dixmier (then 31), and Pierre Samuel (then 34), a former student of Zariski’s) discussed a previous ‘Rapport de Geometrie Algebrique'(no. 206) and arrived at some unanimous decisions:

1. Algebraic varieties must be sets of points, which will not change at every moment.
2. One should include ‘abstract’ varieties, obtained by gluing (fibres, etc.).
3. All necessary algebra must have been previously proved.
4. The main application of purely algebraic methods being characteristic p, we will hide nothing of the unpleasant phenomena that occur there.



(Henri Cartan and Jean-Pierre Serre, photo by Paul Halmos)

The approach the propose is clearly based on Serre’s FAC. The points of an affine variety are the maximal ideals of an affine $k$-algebra, this set is equipped with the Zariski topology such that the local rings form a structure sheaf. Abstract varieties are then constructed by gluing these topological spaces and sheaves.

At the insistence of the ‘specialistes’ (Serre, and Samuel who had just written his book ‘Méthodes d’algèbre abstraite en géométrie algébrique’) two additional points are adopted, but with some hesitation. The first being a jibe at Weil:
1. …The congress, being a little disgusted by the artificiality of the generic point, does not want $K$ to be always of infinite transcendent degree over $k$. It admits that generic points are convenient in certain circumstances, but refuses to see them put to all the sauces: one could speak of a coordinate ring or of a functionfield without stuffing it by force into $K$.
2. Trying to include the arithmetic case.

The last point was problematic as all their algebras were supposed to be affine over a field $k$, and they wouldn’t go further than to allow the overfield $K$ to be its algebraic closure. Further, (and this caused a lot of heavy discussions at coming congresses) they allowed their varieties to be reducible.

The Chicago congress (May 30th – June 2nd 1955)

Apart from Samuel, a different group of Bourbakis gathered for the ‘second Caucus des Illinois’ at Eckhart Hall, including three founding members Weil (then 49), Dixmier (then 49) and Chevalley (then 46), and two youngsters, Armand Borel (then 32) and Serge Lang (then 28).

Their reaction to the La Ciotat meeting (the ‘congress of the public bench’) was swift:

(page 1) : “The caucus discovered a public bench near Eckhart Hall, but didn’t do much with it.”
(page 2) : “The caucus did not judge La Ciotat’s plan beyond reproach, and proposed a completely different plan.”

They wanted to include the arithmetic case by defining as affine scheme the set of all prime ideals (or rather, the localisations at these prime ideals) of a finitely generated domain over a Dedekind domain. They continue:

(page 4) : “The notion of a scheme covers the arithmetic case, and is extracted from the illustrious works of Nagata, themselves inspired by the scholarly cogitations of Chevalley. This means that the latter managed to sell all his ideas to the caucus. The Pope of Chicago, very happy to be able to reject very far projective varieties and Chow coordinates, willingly rallied to the suggestions of his illustrious colleague. However, we have not attempted to define varieties in the arithmetic case. Weil’s principle is that it is unclear what will come out of Nagata’s tricks, and that the only stable thing in arithmetic theory is reduction modulo $p$ a la Shimura.”

“Contrary to the decisions of La Ciotat, we do not want to glue reducible stuff, nor call them varieties. … We even decide to limit ourselves to absolutely irreducible varieties, which alone will have the right to the name of varieties.”

The insistence on absolutely irreducibility is understandable from Weil’s perspective as only they will have a generic point. But why does he go along with Chevalley’s proposal of an affine scheme?

In Weil’s approach, a point of the affine variety $V$ determined by a generic point $x=(x_1,\dots,x_n)$ determines a prime ideal $Q$ of the domain $R=k[x_1,\dots,x_n]$, so Chevalley’s proposal to consider all prime ideals (rather than only the maximal ideals of an affine algebra) seems right to Weil.

However in Weil’s approach there are usually several points corresponding to the same prime ideal $Q$ of $R$, namely all possible embeddings of the ring $R/Q$ in that huge field $K$, so whenever $R/Q$ is not algebraic over $k$, there are infinitely Weil-points of $V$ corresponding to $Q$ (whence the La Ciotat criticism that points of a variety were not supposed to change at every moment).

According to Ralf Krömer in his book Tool and Object – a history and philosophy of category theory this shift from Weil-points to prime ideals of $R$ may explain Chevalley’s use of the word ‘scheme’:

(page 164) : “The ‘scheme of the variety’ denotes ‘what is invariant in a variety’.”

Another time we will see how internal discussion influenced the further Bourbaki congresses until Grothendieck came up with his ‘hyperplan’.

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The birthplace of schemes

Wikipedia claims:

“The word scheme was first used in the 1956 Chevalley Seminar, in which Chevalley was pursuing Zariski’s ideas.”

and refers to the lecture by Chevalley ‘Les schemas’, given on December 12th, 1955 at the ENS-based ‘Seminaire Henri Cartan’ (in fact, that year it was called the Cartan-Chevalley seminar, and the next year Chevalley set up his own seminar at the ENS).

Items recently added to the online Bourbaki Archive give us new information on time and place of the birth of the concept of schemes.

From May 30th till June 2nd 1955 the ‘second caucus des Illinois’ Bourbaki-congress was held in ‘le grand salon d’Eckhart Hall’ at the University of Chicago (Weil’s place at that time).

Only six of the Bourbaki members were present:

  • Jean Dieudonne (then 49), the scribe of the Bourbaki-gang.
  • Andre Weil (then 49), called ‘Le Pape de Chicago’ in La Tribu, and responsible for his ‘Foundations of Algebraic Geometry’.
  • Claude Chevalley (then 46), who wanted a better, more workable version of algebraic geometry. He was just nominated professor at the Sorbonne, and was prepping for his seminar on algebraic geometry (with Cartan) in the fall.
  • Pierre Samuel (then 34), who studied in France but got his Ph.D. in 1949 from Princeton under the supervision of Oscar Zariski. He was a Bourbaki-guinea pig in 1945, and from 1947 attended most Bourbaki congresses. He just got his book Methodes d’algebre abstraite en geometrie algebrique published.
  • Armand Borel (then 32), a Swiss mathematician who was in Paris from 1949 and obtained his Ph.D. under Jean Leray before moving on to the IAS in 1957. He was present at 9 of the Bourbaki congresses between 1955 and 1960.
  • Serge Lang (then 28), a French-American mathematician who got his Ph.D. in 1951 from Princeton under Emil Artin. In 1955, he just got a position at the University of Chicago, which he held until 1971. He attended 7 Bourbaki congresses between 1955 and 1960.

The issue of La Tribu of the Eckhart-Hall congress is entirely devoted to algebraic geometry, and starts off with a bang:

“The Caucus did not judge the plan of La Ciotat above all reproaches, and proposed a completely different plan.

I – Schemes
II – Theory of multiplicities for schemes
III – Varieties
IV – Calculation of cycles
V – Divisors
VI – Projective geometry
etc.”

In the spring of that year (February 27th – March 6th, 1955) a Bourbaki congress was held ‘Chez Patrice’ at La Ciotat, hosting a different group of Bourbaki members (Samuel was the singleton intersection) : Henri Cartan (then 51), Jacques Dixmier (then 31), Jean-Louis Koszul (then 34), and Jean-Pierre Serre (then 29, and fresh Fields medaillist).

In the La Ciotat-Tribu,nr. 35 there are also a great number of pages (page 14 – 25) used to explain a general plan to deal with algebraic geometry. Their summary (page 3-4):

“Algebraic Geometry : She has a very nice face.

Chap I : Algebraic varieties
Chap II : The rest of Chap. I
Chap III : Divisors
Chap IV : Intersections”

There’s much more to say comparing these two plans, but that’ll be for another day.

We’ve just read the word ‘schemes’ for the first (?) time. That unnumbered La Tribu continues on page 3 with “where one explains what a scheme is”:

So, what was their first idea of a scheme?

Well, you had your favourite Dedekind domain $D$, and you considered all rings of finite type over $D$. Sorry, not all rings, just all domains because such a ring $R$ had to have a field of fractions $K$ which was of finite type over $k$ the field of fractions of your Dedekind domain $D$.

They say that Dedekind domains are the algebraic geometrical equivalent of fields. Yeah well, as they only consider $D$-rings the geometric object associated to $D$ is the terminal object, much like a point if $D$ is an algebraically closed field.

But then, what is this geometric object associated to a domain $R$?

In this stage, still under the influence of Weil’s focus on valuations and their specialisations, they (Chevalley?) take as the geometric object $\mathbf{Spec}(R)$, the set of all ‘spots’ (taches), that is, local rings in $K$ which are the localisations of $R$ at prime ideals. So, instead of taking the set of all prime ideals, they prefer to take the set of all stalks of the (coming) structure sheaf.

But then, speaking about sheaves is rather futile as there is no trace of any topology on this set, then. Also, they make a big fuss about not wanting to define a general schema by gluing together these ‘affine’ schemes, but then they introduce a notion of ‘apparentement’ of spots which basically means the same thing.

It is still very early days, and there’s a lot more to say on this, but if no further documents come to light, I’d say that the birthplace of ‘schemes’, that is , the place where the first time there was a documented consensus on the notion, is Eckhart Hall in Chicago.

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