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Category: stories

Where are Grothendieck’s writings? (2)

A couple of days ago, there was yet another article by Philippe Douroux on Grothendieck’s Lasserre writings “Inestimables mathématiques, avez-vous donc un prix?” in the French newspaper Liberation.

Not that there is much news to report.

I’ve posted on this before: Grothendieck’s gribouillis, Grothendieck’s gribouillis (2), and more recently Where are Grothendieck’s writings?

In that last post I claimed that the five metallic cases containing Grothendieck’s Lasserre notes were in a white building behind the police station of the sixth arrondissement of Paris.

I was wrong.

There’s a detail in Douroux’ articles I forgot to follow-up before.

Here’s the correct location:

What went wrong?

Here’s my ‘translation’ of part of chapter 46 of Douroux’ book “Alexandre Grothendieck, sur les traces du dernier genie des mathematiques”:

“On November 13th 2015, while the terrorist-attacks on the Bataclan and elsewhere were going on, a Mercedes break with on board Alexandre Jr. Grothendieck and Jean-Bernard, a librarian specialised in ancient writings, was approaching Paris from Lasserre. On board: 5 metallic cases, 2 red ones, 1 green and 2 blues.

At about 2 into the night they arrived at the ‘commissariat du Police’ of the 6th arrondissement. Jean-Bernard pushed open a heavy blue carriage porch, crossed the courtyard opened a second door and then a third one and delivered the cases.”

It all seemed to fit together: the ‘commissariat’ has a courtyard (but then, so do most buildings in the neighborhood) and has a blue carriage porch:

portepolicejpg

What went wrong?

I should have trusted Google-translate instead.

It translates the original text “…il garait sa voiture pres du commissariat…” more correctly into “…he parked his car near the police station…”. ‘Near’ as apposed to ‘at’…

We should have looked for a location close to the police station.

And, I should have looked up “Jean-Bernard, a librarian specialised in ancient writings”.

Who is Jean-Bernard?

In Douroux’ latest article there’s this sentence:

“Dès lors, on comprend mieux le travail de Jean-Bernard Gillot, libraire à Paris et expert en livres anciens et manuscrits scientifiques pour lequel les cinq malles contenant les écrits de Lasserre représentent l’affaire d’une vie.”

I’m not even going to make an attempt at translation, you know which tool to use if needed. Suffice it to say that the mysterious Jean-Bernard is no other than Jean-Bernard Gillot.

jbgillotjpg

In 2005, Jean-Bernard Gillot took over the Librairie Alain Brieux, specialising in ancient scientific books and objects. Here’s a brief history of this antiques shop.

Relevant to our quest is that it is located 48, rue Jacob in Paris, just around the corner of the Police Station of the 6th arrondissement.

And, there is a beautiful heavy blue carriage porch, leading to an interior courtyard…

portelibrairiejpg

A quick look at the vast amount of scientific objects (such as these Napier’s bones) indicates that there must be adequate and ample storage space in the buildings behind the shop.

This is where the five metallic cases containing the Lasserre writings are at this moment.

What’s next?

We’re lightyears removed from Maltsiniotis’ optimistic vision, broadcast at the Grothendieck conference in Montpellier last year, that the BNF would acquire the totality of the writings and make them available to the mathematical community at large.

Apart from Maltsiniotis’ cursory inventory of (part of) the 93.000 pages, nobody knows what’s inside these five boxes, making it impossible to put a price tag on them.

Perhaps, the family should grant some bloggers access to the cases, in return for a series of (live)posts on what they’ll find inside…?!

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NaNoWriMo (3)

In 2001, Eugenia Cheng gave an interesting after-dinner talk Mathematics and Lego: the untold story. In it she compared math research to fooling around with lego. A quote:

“Lego: the universal toy. Enjoyed by people of all ages all over the place. The idea is simple and brilliant. Start with some basic blocks that can be joined together. Add creativity, imagination and a bit of ingenuity. Build anything.

Mathematics is exactly the same. We start with some basic building blocks and ways of joining them together. And then we use creativity, and, yes, imagination and certainly ingenuity, and try to build anything.”

She then goes on to explain category theory, higher dimensional topology, and the process of generalisation in mathematics, whole the time using lego as an analogy. But, she doesn’t get into the mathematics of lego, perhaps because the talk was aimed at students and researchers of all levels and all disciplines.

There are plenty of sites promoting lego in the teaching of elementary mathematics, here’s just one link-list-page: “27 Fantastic LEGO Math Learning Activities for All Ages”. I’m afraid ‘all ages’ here means: under 10…

lego-math-teaching-children-alycia-zimmerman-fb__700-png

Can one do better?

Everyone knows how to play with lego, which shapes you can build, and which shapes are simply impossible.

Can one tap into this subconscious geometric understanding to explain more advanced ideas such as symmetry, topological spaces, sheaves, categories, perhaps even topos theory… ?

Let’s continue our

[section_title text=”imaginary iterview”]

Question: What will be the opening scene of your book?

Alice posts a question on Lego-stackexchenge. She wants help to get hold of all imaginary lego shapes, including shapes impossible to construct in three-dimensional space, such as gluing two shapes over some internal common sub-shape, or Escher like constructions, and so on.

escherlego

Question: And does she get help?

At first she only gets snide remarks, style: “brush off your French and wade through SGA4”.

Then, she’s advised to buy a large notebook and jot down whatever she can tell about shapes that one can construct.

If you think about this, you’ll soon figure out that you can only add new bricks along the upper or lower bricks of the shape. You may call these the boundary of the shape, and soon you’ll be doing topology, and forming coproducts.

These ‘legal’ lego shapes form what some of us would call a category, with a morphism from $A$ to $B$ for each different way one can embed shape $A$ into $B$.

Of course, one shouldn’t use this terminology, but rather speak of different instruction-manuals to get $B$ out of $A$ (the morphisms), stapling two sets of instructions together (the compositions), and the empty instruction-sheet (the identity morphism).

Question: But can one get to the essence of categorical results in this way?

Take Yoneda’s lemma. In the case of lego shapes it says that you know a shape once you know all morphisms into it from whatever shape.

For any coloured brick you’re given the number of ways this brick sits in that shape, so you know all the shape’s bricks. Then you may try for combination of two bricks, and so on. It sure looks like you’re going to be able to reconstruct the shape from all this info, but this quickly get rather messy.

But then, someone tells you the key argument in Yoneda’s proof: you only have to look for the shape to which the identity morphism is assigned. Bingo!

Question: Wasn’t your Alice interested in the ‘illegal’ or imaginary shapes?

Once you get to Yoneda, the rest follows routinely. You define presheaves on this category, figure out that you get a whole bunch of undesirable things, bring in Grothendieck topologies to be the policing agency weeding out that mess, and keep only the sheaves, which are exactly the desired imaginary shapes.

Question: Your book’s title is ‘Primes and other imaginary shapes’. How do you get from Lego shapes to prime numbers?

By the standard Gödelian trick: assign a prime number to each primitive coloured brick, and to a shape the product of the brick-primes.

That number is a sort of code of the shape. Shapes sharing the same code are made up from the same set of bricks.

Take the set of all strictly positive natural numbers partially ordered by divisibility, then this code is a functor from Lego shapes to numbers. If we extend this to imaginary shapes, we’ll rapidly end up at Connes’ arithmetic site, supernatural numbers, adeles and the recent realisation that the set of all prime numbers does have a geometric shape, but one with infinitely many dimensions.

primenumbers

Not sure yet how to include all of this, but hey, early days.

Question: So, shall we continue this interview at a later date?

No way, I’d better start writing.

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NaNoWriMo (2)

Two more days to go in the NaNoWriMo 2016 challenge. Alas, it was clear from the outset that I would fail, bad.

I didn’t have a sound battle plan. Hell, I didn’t even have a a clue which book to write…

But then, I may treat myself to a SloWriMo over the Christmas break.

For I’ve used this month to sketch the vaguest possible outlines of an imaginary book.

ulysses2

[section_title text=”An imaginary interview”]

Question: What is the title of your book?

I don’t know for sure, but my working title is Primes and other imaginary shapes.

Question: What will the cover-illustration look like?

At the moment I would settle for something like this:

Question: Does your book have an epigraph?

That’s an easy one. Whenever this works out, I’ll use for the opening quote:

[quote name=”David Spivak in ‘Presheaf, the cobbler'”]God willing, I will get through SGA 4 and Lurie’s book on Higher Topos Theory.
[/quote]

Question: Any particular reason?

Sure. That’s my ambition for this book, but perhaps I’ll save Lurie’s stuff for the sequel.

Question: As you know, Emily Riehl has a textbook out: Category Theory in Context. Here’s a recent tweet of hers:

Whence the question: does your book have a protagonist?

Well, I hope someone gave Emily the obvious reply: Yoneda! As you know, category theory is a whole bunch of definitions, resulting in one hell of a lemma.

But to your question, yes there’ll be a main character and her name is Alice.

I know, i know, an outrageous cliché, but at least I can guarantee there’ll be no surprise appearances of Bob.

These days, Alices don’t fall in rabbit holes, or crawl through looking-glasses. They just go online and encounter weird and wondrous creatures. I need her to be old enough to set up a Facebook and other social accounts.

My mental image of Alice is that of the archetypical STEM-girl

In her younger years she was a lot like Lewis Carroll’s Alice. In ten years time she’ll be a copy-cat Alice Butler, the heroine of Scarlett Thomas’ novel PopCo.

Question: What will be the opening scene of your book?

Alice will post a question on Lego-stackexchenge, and yes, to my surprise such a site really exists

(to be continued, perhaps)

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