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Grothendieck’s gribouillis (3)

Published January 28, 2018 by lievenlb

As far as I know there are no recent developments in the story of Grothendieck’s Lasserre writings.

Since may 2017 the Mormoiron part of the notes, saved by Jean Malgoire, are scanned and made available at the Archives Grothendieck.

Some of Grothendieck’s children were present at the opening ceremony, and an interview was made with Alexandre jr. :

Rather than going into Grothendieck’s mathematics, he speaks highly of his father’s role in the ecological (Survivre et vivre) and anti-nuclear movements of the early 70ties.

The full story of Survivre et Vivre, and Grothendieck’s part in it, can be read in the thesis by Celine Pessis:

Les années 1968 et la science. Survivre … et Vivre, des mathématiciens critiques à l’origine de l’écologisme

Here’s her talk at the IHES: “L’engagement d’Alexandre Grothendieck durant la première moitié des années 1970”.

Returning to Montpellier’s Archives Grothendieck, Mateo Carmona G started a project to transcribe ‘La Longue Marche à travers la Théorie de Galois’ at GitHub.

From an email: “I am specially interested in Cote n° 149 that seems to contain Grothendieck separate notes on anabelian geometry.”

If you want to read up on the story of Grothendieck’s gribouillis, here are some older posts, in chronological order:

– Grothendieck’s gribouillis

– Grothendieck’s gribouillis (2)

– Where are Grothendieck’s writings?

– Where are Grothendieck’s writings (2)?

Brancusi’s advice : avoid vampires

Published January 4, 2018 by lievenlb

My one and only resolution for 2018: ban vampires from my life!

Here’s the story.

In the 1920’s, Montparnasse was at the heart of the intellectual and artistic life in Paris because studios and cafés were inexpensive.

Artists including Picasso, Matisse, Zadkine, Modigliani, Dali, Chagall, Miro, and the Romanian sculptor Constantin Brancusi all lived there.

You’ll find many photographs of Picasso in the company of others (here center, with Modigliani and Salmon), but … not with Brancusi.

From A Life of Picasso: The Triumphant Years, 1917-1932 (Vol 3) by John Richardson:

“Brancusi disapproved of one of of Picasso’s fundamental characteristics—one that was all too familiar to the latter’s fellow artists and friends—his habit of making off not so much with their ideas as with their energy. “Picasso is a cannibal,” Brancusi said. He had a point. After a pleasurable day in Picasso’s company, those present were apt to end up suffering from collective nervous exhaustion. Picasso had made off with their energy and would go off to his studio and spend all night living off it. Brancusi hailed from vampire country and knew about such things, and he was not going to have his energy or the fruits of his energy appropriated by Picasso.”

I learned this story via Austin Kleon who made this video about it:

Show Your Work! Episode 1: Vampires from Austin Kleon on Vimeo.

A Math(Art)y 2018

Published January 1, 2018 by lievenlb

Last night, on our way to the fireworks in Antwerp, we walked by this definition of prime numbers:

“The numbers, only divisible by $1$ and itself are: $2,3$ and every number before or after a multiple of $6$, without their squares or products.” (Peter Wynen)

True enough.

And a lot more user-friendly than: the generators of the multiplicative monoid of all natural numbers which are $\pm 1$ modulo $6$ are the prime numbers, except for $2$ and $3$.

I wish you a 2018 full of math (and artistic) pleasures.

Category: stories

Grothendieck’s gribouillis (3)

Brancusi’s advice : avoid vampires

A Math(Art)y 2018