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Category: art

the mathematician of cubism

“Pythagorean Crimes” by Tefcros Michaelides is a murder mystery set at the beginning of the 20th century. It starts with Hilbert’s address at the 1900 ICM in Paris (in which he gives his list of problems, such as the 2nd, his program for a finitistic proof of the consistency of the axioms of arithmetic) and ends in the early 1930ties (perhaps you can by now already guess which theorem will play a crucial role in the plot?).

It depicts beautifully daily (or better, nightly) life in mathematical and artistic circles, especially in Paris between 1900 and 1906.

Bricard, Caratheodory, Dedekind, Dehn, De la Vallee-Poussin, Frege, Godel, Hadamard, Hamel, Hatzidakis, Hermite, Hilbert, Klein, Lindemann, Minkowski, Peano, Poincare, Reynaud, Russell and Whitehead all make a brief appearance, as do Appollinaire, Casagemas, Cezanne, Degas, Derain, Max Jacob, Jacobides, Lumiere, Matisse, Melies, Pallares, Picasso, Renoir, Salmon, Toulouse-Lautrec, Utrillo, Zola.



Both lists contain names I had never heard of. But the biggest surprise, to me, was to discover the name of Maurice Princet, “le mathématicien du cubisme”.

Princet (1875-1973) was a mathematician who frequented the group around Pablo Picasso at the Bateau-Lavoir in Montmartre (at least until 1907 when his wife left him for the painter Derain).

Princet introduced the group to the works of Poincare and the concept of the 4-th dimension. He gave Picasso the book “Traité élémentaire de géométrie à quatre dimensions” by Jouffret, describing hyper-cubes and other polyhedra in 4 dimensions and ways to project them dowm to the 2 dimensions of the canvas.



This book appears to have been influential in the genesis of Picasso’s Les Demoiselles d’Avignon (the painting also appears, in an unfinished state, in “Pythagorean Crimes”).



Some other painters tried to capture movement with projections from the 4-th dimension. A nice example is Nude descending a staircase by Marcel Duchamp (mostly known for his urinoir…).



Maurice Princet loved to get the artists interested in the new views on space. Duchamp told Pierre Cabanne, “We weren’t mathematicians at all, but we really did believe in Princet”.

I don’t know whether Duchamp liked Princet’s own attempts at painting. Here’s a cubistic work by Maurice Princet himself.



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Grothendieck, at the theatre

A few days ago, the theatre production “Rêves et Motifs” (Dreams and Motives) was put on stage in Argenteuil by la Compagnie Les Rémouleurs.

The stage director Anne Bitran only discovered Grothendieck’s life by reading the front pages of French newspapers, the day after Grothendieck passed away, in November 2014.

« Rêves et Motifs » is a piece inspired by Récoltes et Semailles.

Anne Bitran: ” In Récoltes et semailles we meet a scientist who has his feet on the ground and shares our curiosity about the world around us, with a strong political engagement. This is what I wanted to share with this piece.”

Some of Grothendieck’s dessins d’enfant make their appearance. Is that one Monsieur Mathieu in the center? And part of the Hexenkuche top left? (no, see Vimeo below)

And, does this looks like the sculpture ‘Grothendieck as Shepherd’ by Nina Douglas?

More information about the production can be found at the Les Remouleurs website (in French).


RÊVES ET MOTIFS from Les Rémouleurs on Vimeo.

In case you are interested, make sure to be in Lunéville, November 29th or 30th.

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Coxeter on Escher’s Circle Limits

Conway’s orbifold notation gives a uniform notation for all discrete groups of isometries of the sphere, the Euclidian plane as well as the hyperbolic plane.

This includes the groups of symmetries of Escher’s Circle Limit drawings. Here’s Circle Limit III

And ‘Angels and Devils’ aka Circle Limit IV:

If one crawls along a mirror of this pattern until one hits another mirror and then turns right along this mirror and continues like this, you get a quadrilateral path with four corners $\frac{\pi}{3}$, whose center seems to be a $4$-fold gyration point. So, it appears to have symmetry $4 \ast 3$.


(image credit: MathCryst)

However, looking more closely, every fourth figure (either devil or angel) is facing away rather than towards us, so there’s no gyration point, and the group drops to $\ast 3333$.

Harold S. M. Coxeter met Escher in Amsterdam at the ICM 1954.

The interaction between the two led to Escher’s construction of the Circle Limits, see How did Escher do it?

Here’s an old lecture by Coxeter on the symmetry of the Circle Limits:



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